Trailer Analysis.
I have chosen the film Distrubia after researching into what my audience likes therefore this can give me ideas and insight into what would attract my audience.
The poor quality video is the only one that would allow me to embed into my blog, however when doing my analysis I watched a higher quality video.
Genre.
Disturbia is a thriller film and we can see this through many features within the trailer, through the narrative and mise-en-scene used and also the editing of the trailer. Within the trailer we get a lot of jump cuts in the editing which creates suspense for the audience and also have the 'jump' factor that some audiences do enjoy within a film and the lighting is very much low key throughout the trailer, the only time it is not is at the beginning as we are slowly introduced to the story.
One theory we can apply to this trailer is Carol Glover's theory that "the final girl will be terrorised throughout the film" and from this trailer, we see one main female character as well as small snippets of others which appear to be murdered however we get more clips that show the main female being 'terrorised' sort of, for example when he appears at the end of the car, we get the impression from the trailer that he won't back down then because of just the small amounts of information given to us in the short trailer so we could make the assumption she will be the typical female character that will get terrorised throughout the film.
Representation.
The main representation in this trailer is that of young people, we have three main characters all of a late teenage age which would definitely appeal to the target audience as films like this with younger characters and the idea of the film being considered 'jumpy' will be more targeted and appeal more to the younger audience. However, we do see some stereotypes being used early on in the trailer, as the main male character has a tag on his foot which links to the idea of teenagers always getting into trouble. Laura Mulvey has a theory that many films are filmed from what is called 'the male gaze', and I think that this could apply to this film in a small part as at the beginning we have the two males gazing at the women outside, objectifying them as a sexual object which is how they get into the situation so this could possibly impact on whether the film will appeal to females because they may not like the sexualisation of all the female characters.
Narrative.
From the trailer, we can gather that the story is about a male who has been put on house arrest and to pass the time has deciding to start spying on women and finding out what is going on in his little street, however it all takes a dark turn when he spots what he thinks is his neighbour murdering women so he decides to investigate with two other characters into the murders but the neighbour knows what they are up too and seems to try and intervene. The trailer is structured typical to the genre and this type of thriller as the idea of younger characters investigating a murderer is not a new idea and has been done before, we have the characters starting off as innocent fun however then a 'disruption' comes along in the form of murders and then we see a series of the peaks within the film in the trailer which only hint at some of the events which will lead up to the resolution which we do not see in the trailer, so this structure is inkeeping with Todorov's theory of a film being structured in a certain way; equilibriam (beginning, calm) disruption (problems, peaks and troughs, climax) and a equilibriam resolved (a new calm, different to the start). Another theory which applies to this trailer is Levi Strauss and Roland Barthes' theory of there being binary opposites in a film (good vs. bad) at first we see the younger character with the tag and automatically assume he must be the 'bad' character as he has already done something wrong however this all changes and it becomes clear throughout the trailer that the younger characters are actually the 'good' and the murderer is obviously the 'bad'.
Audience.
The audience for this film is obviously a younger audience due to the use of younger characters and the mixture of gender used in the casting, the fact we have a female character as well as male is more appealing to a female audience. The audience will most likely already have an interest in films such as thrillers, because this trailer makes it clear that the film maybe a little graphic i.e. the murders and also the dramatic editing in the trailer creates suspense therefore somebody that only likes romantic films will probably not be interested in this film, therefore they don't try to appeal to them, they attract their existing audience. The theory of an active or passive audience could definitely apply here because we have some much content to the film and also the film is based on an investigation of some sort, so the audience will have to be active within the film so they can follow any developments to understand the film and fully understand what is going on.
Media Language.
Cinematography.
The first shot we see is a close-up of the tag and it then zooms out so we can see the younger character, this clip is used to create an image of the younger characters at first which links to the negative stereotypes of the younger characters. So we already have made an impression of this character.
As we are 'watching out of the window' we are placed in the characters POV so we see a lot of pans so that we can see the whole image e.g. when we are watching the affair between the neighbour and maid. We placed in the same POV in the trailer when we see the first splatters of blood and small cut zooms are used so that we are directly focused on what we are looking at.
This POV through the binoculars is used a few times to observe the neighbour, by using this we become more involved with the younger characters and although the first clip created a negative view this obviously changes through these developments.
We see a close-up of the neighbours face when the young boy is arrested and then a close-up of his face, then it cuts to a close-up of a newspaper with a missing headline, by having all this close-up images placed together it creates links between the characters and events and also the 'close-up' creates this idea of the events being so close to the character.
We see some scenes filmed through a handheld camera which is from the younger characters POV again making the relationship between us and the characters closer.
Editing.
This trailer has a typical structure of many other thriller trailers I have watched, so the beginning of the trailer begins with clips dissolving into one another to introduce the story slowly but then as the sinister side of the thriller starts to come through the editing gets a lot more sharper and jump cuts and straight cuts are being used.
In particular we see a lot of jump cuts when it jumps to a shot of the neighbour, for example when it jumps to the clip of him at the window and then another when he is seen at the end of the car. These jump cuts are used to create suspense in the trailer which draws the audience in.
We see a shot-reverse-shot being used between the nieghbour then the male character and then to the newspaper and then back to the male character, this editing links all the characters and events together in a close capacity and again creates the tension between them.
Sound.
Mainly within this trailer, it's all based on the dialogue given however there is music underlying the majority of the trailer at the beginning of the trailer and it seems quite upbeat and young which obviously reflects the young characters and the lifestyle which draws the attention of the audience.
However that does change, then in the trailer what seems to be used more is emphasised sound effects, for example part of the trailer when we have a character sneaking into the garage there is a heavy beat in the background which does almost sound like a heartbeat but not a literal one, so this again is a tactic used to scare the audience and draw them in.
Mise-en-scene.
The main set-up is the male-characters house, where we have 'the window' which is the ultimate part to the story as this is where the story unfolds, the window is also covered with vertical blinds which adds to the mystery of the characters and also how we percieve them through the lines and small spaces such as through the windows across the road because it's all very compact only giving us small pieces of information.
Another siginificant prop is the binoculars because that is how we see many of the events unfold, through the eyes of the character who looks through the binoculars, again making our vision of the film narrowed creating suspense and the idea of wanting more.
We see small parts of the neighbours house which gives us insight into his life, but only a small insight, so we get glimmers of a knife under the lighting and see strange rooms and splatter of blood, only letting us in on brief amounts of the story, keeping the audience interested.
As typical of a thriller, there is a lot of low-key lighting used, when looking across the road through the binoculars it seems to have a blue tinge to it which blurs the audiences vision and within the house of the male character, it seems to have more of a orange tinge so we have two contrasting colour images there of the binary opposites.